Freelance opportunity for an experienced live blogger covering red carpet events such as Oscars, Emmys, Golden Globes, etc.
Must provide links to prior live blogs. Looking for more than just curation and pulling in Twitter updates. Sharp opinion and analysis, not just a stream of one sentence quips.
Send links of prior live blogs you’ve participated in to firstname.lastname@example.org
Reblogging this because I have worked with a lot of people who would be qualified for this gig.
CBS ANNOUNCES DEVELOPMENT OF “DANCING ON THE STARS,” AN EXCITING AND COMPLETELY ORIGINAL REALITY PROGRAM THAT OWES ITS CONCEPT AND EXECUTION TO NOBODY AT ALL
Los Angeles, June 20, 2012 – Subsequent to recent developments in the creative and legal community, CBS Television today felt it was appropriate to reveal the upcoming launch of an exciting, groundbreaking and completely original new reality program for the CBS Television Network.
The dazzling new show, DANCING ON THE STARS, will be broadcast live from the Hollywood Forever Cemetery, and will feature moderately famous and sort of well-known people you almost recognize competing for big prizes by dancing on the graves of some of Hollywood’s most iconic and well-beloved stars of stage and screen.
The cemetery, the first in Hollywood, was founded in 1899 and now houses the remains of Andrew “Fatty” Arbuckle, producer Cecil B. DeMille, Douglas Fairbanks, Jr., Paul Muni, Benjamin “Bugsy” Siegel, George Harrison of the Beatles and Dee Dee Ramone of the Ramones, among many other great stars of stage, screen and the music business. The company noted that permission to broadcast from the location is pending, and that if efforts in that regard are unsuccessful, approaches will be made to Westwood Village Memorial Park, where equally scintillating luminaries are interred.
“This very creative enterprise will bring a new sense of energy and fun that’s totally unlike anything anywhere else, honest,” said a CBS spokesperson, who also revealed that the Company has been working with a secret team for several months on the creation of the series, which was completely developed by the people at CBS independent of any other programming on the air. “Given the current creative and legal environment in the reality programming business, we’re sure nobody will have any problem with this title or our upcoming half-hour comedy for primetime, POSTMODERN FAMILY.”
“After all,” the spokesperson added, “people who live in glass houses shouldn’t throw stones.”
I’m asked every day why Hank and I haven’t tried to create a TV show.
We’ve been approached many times to do TV shows, but while we’re happy to listen and discuss ideas with people, we’ve so far turned down these opportunities, even the very tempting and lucrative ones. Here’s why:
1. When you work with a cable channel or production company, you don’t own the show you make or control the manner in which it is distributed.
2. It’s easy—and only getting easier—to watch shows like CrashCourse and SciShow on your TV.
3. We really believe that what is strong and beautiful about nerdfighteria is that we create it—every day—together. All of us. And if we were on TV, I worry we’d lose that sense of connection, which Hank and I have enjoyed so much the last five and a half years. Like, the Sherlock fandom and the Doctor Who fandom are great communities, but they are about Sherlock and Doctor Who. Nerdfighteria isn’t, and never has been, primarily about Hank or me. It’s about celebrating nerdiness and decreasing worldsuck. We really value that and don’t want it to change.
4. On YouTube, we can make exactly the stuff we want for exactly the people we want. Sometimes that means getting lower ratings (for instance, Thoughts from Places videos are consistently our least viewed videos, but we still really like making them and we know that nerdfighteria really enjoys them, too). Television is driven by viewership, and all viewers are treated equally. So you can’t say to a TV network, “I know we get fewer viewers when we make this stuff, but we get BETTER viewers.” They do not understand that idea. That idea, however, is at the very core of our relationship with our community. As Hank has told me, “I don’t care how many views we get. I care how many made-of-awesome views we get.”
If all we wanted to do was make stuff that lots of people watch, all our videos would be about animal sex. And on some level, if we had a TV show, the emphasis would be on maximizing the number of viewers, not the quality of the community, which is the exact opposite of what we want.
In one conversation with an anonymous cable network, an exec said to us, “Crash Course would be PERFECT if you were a little less nuanced and stuck to topics that interest people. Like, you know, Hitler and sex.” (Direct quote.)
I’ve read tens of thousands of Crash Course comments. No one—NO ONE—has ever asked us to be less nuanced, or to stick to Hitler and sex. That’s what I love about nerdfighteria. Our community is deeply intellectually engaged, even when that means grappling with complexity and ambiguity.
The great joy of my life is that I get to talk with you on a near-daily basis about a huge variety of things that matter to me, and listen to you discuss what matters to you. Right now, that’s not possible on TV, which is (for better and worse) still a medium where people talk toyou, not with you.
A few hours ago, I landed in Los Angeles, turned on my phone, and confirmed what you already know. Sony Pictures Television is replacing me as showrunner on Community, with two seasoned fellows that I’m sure are quite nice - actually, I have it on good authority they’re quite nice, because they once created a show and cast my good friend Jeff Davis on it, so how bad can they be.
Why’d Sony want me gone? I can’t answer that because I’ve been in as much contact with them as you have. They literally haven’t called me since the season four pickup, so their reasons for replacing me are clearly none of my business. Community is their property, I only own ten percent of it, and I kind of don’t want to hear what their complaints are because I’m sure it would hurt my feelings even more now that I’d be listening for free.
I do want to correct a couple points of spin, now that I’m free to do so:
The important one is this quote from Bob Greenblatt in which he says he’s sure I’m going to be involved somehow, something like that. That’s a misquote. I think he meant to say he’s sure cookies are yummy, because he’s never called me once in the entire duration of his employment at NBC. He didn’t call me to say he was starting to work there, he didn’t call me to say I was no longer working there and he definitely didn’t call to ask if I was going to be involved. I’m not saying it’s wrong for him to have bigger fish to fry, I’m just saying, NBC is not a credible source of All News Dan Harmon.
You must go read this whole thing.
I don’t know WTF they’re thinking at NBC, and I don’t know why they’d be so shitty to Dan Harmon, but I do know this: